Kierkegaard Research: Sources,
Reception and Resources
|
||
  |
||
|
Volume 17:
Edited by
Katalin Nun and Jon Stewart
One
of the elements that many readers admire in Kierkegaard’s skill as a
writer is in his ability to create different voices and
perspectives in his works. Instead of unilaterally presenting clear-cut
doctrines and theses, he confronts the reader with different
personalities and figures who all espouse different views. One
important aspect of this play of perspectives is Kierkegaard’s
controversial use of pseudonyms. The present volume is dedicated to
exploring the different pseudonyms and authorial voices in
Kierkegaard’s writings. The working assumption is that there is
something unique and special about each pseudonym. The articles
featured here try to explore each pseudonymous author as a kind of
literary figure and to explain what kind of a person is at issue in
each of the pseudonymous works. The hope is that by taking seriously
each of these figures as individuals, we will be able to gain new
insights into the texts which they are ostensibly responsible for.
Table of Contents
“A” the Aesthete: Aestheticism and the Limits of Philosophy
A, B, and A.F.: Kierkegaard’s Use of Anonyms
Quidam: Earnest for Ten Minutes a Week
|
Kierkegaard's Concepts
Kierkegaard's Literary Figures
and Motifs
Kierkegaard's Pseudonyms
Kierkegaard Secondary Literature Tomes I-VII  The Auction Catalogue of Kierkegaard's Library  Cumulative Index Tomes I-III
|
|
The
series Kierkegaard Research: Sources,
Reception and Resources is published Routledge Research, Philosophy
Routledge / Taylor & Francis Group, 711 Third Ave., Eighth Floor, New York, NY 10017, USA
|
||
